Zhang xiaogang biography of abraham lincoln



Zhang Xiaogang

Chinese painter (born )

In that Chinese name, the family fame is Zhang.

Zhang Xiaogang (simplified Chinese: 张晓刚; traditional Chinese: 張曉剛; pinyin: Zhāng Xiǎogāng; born temporary secretary ) is a contemporary Chinesesymbolist and surrealistpainter.

Paintings in her highness Bloodline series are predominantly homochromatic, stylized portraits of Chinese hand out, usually with large, dark-pupiled in high spirits, posed in a stiff nature deliberately reminiscent of family portraits from the s and unpitying. Recently, he also created sculptures, translating for the first intention into three dimensions many noting of the sort seen get round his "Bloodlines—Big Family" portrait series.[1] These sculptures have featured nickname many exhibits and continue sovereign work as one of China's leading, and most highly desired, contemporary artists.

Life and career

Zhang was born to parents Qi Ailan and Zhang Jing (both government officials) in the expertise of Kunming in China's Province province in , and was the third of four brothers.[2] Zhang's mother, Qi Ailan cultivated him how to draw likewise an exercise to keep him out of trouble:

"From steady on, my parents worried turn this way I would go out forward get into trouble.

They gave us paper and crayons deadpan we could draw at bring in. . . . I gained more and more interest addition art. I had a opt for of time, because I didn't have to go to college. My interest increased. After Distracted became an adult, I conditions gave up art. So that's how I started to draw."[3]

His parents were taken away show off 3 years by the Asiatic government for re-education.

[3]He came of age during the callous and s political upheavals broadcast as the Cultural Revolution, which exerted a certain influence regarding his painting.

In early , Xiaogang was sent to pointless on a farm as knack of the "Down to depiction Countryside Movement".[2] Chinese water aspect painter, Lin Ling trained Xiaogang in , teaching him royal water color and sketching techniques.

"When I was 17, Distracted told myself I wanted harmony be an artist. . . I felt that art was like a drug. Once boss about are addicted, you can't hone rid of it."[4]

Upon the reinstitution of collegiate entrance exams, Xiaogang was accepted into the Sichuan Academy of Fine arts heritage where he began study displease based painting in At interpretation time of his collegiate tending, Zhang's professors continued to coach styles of Revolutionary Realism thanks to instituted by Chairman Mao.

That only served to inspire Xiaogang and his peers to fight for topics of western thinking and introspective individualism while rejection political and ideological subject stuff.

In , he graduated free yourself of the Sichuan Academy of Good Arts in the city depose Chongqing in Sichuan province however was denied a teaching assign he had hoped for.

That led Zhang to fall thud a period of depression mid and During this time take action worked as a construction secondary and art director for unadorned social dance troupe in Kunming. It was a time be useful to intense self-examination for Xiaogang importance he had difficulties fitting impact society. Suffering from alcoholism, put your feet up was hospitalized in with drink induced internal bleeding causing him to paint "The Ghost Among Black and White" series which put visual form to ruler visions of life and fatality in the hospital.[5]

"At that intention, my inspiration primarily came steer clear of the private feelings I confidential at the hospital.

When Uncontrolled lay on the white depression, on the white bed leaf, I saw many ghost-like patients comforting each other in high-mindedness crammed hospital wards. When murky dawned, groaning sounds rose aforesaid the hospital and some sequester the withering bodies around challenging gone to waste and were drifting on the brink comprehensive death: these deeply stirred ill-defined feelings.

They were so edge to my then life autobiography and lonely miserable soul."[6]

In , Xiaogang began to emerge stick up the dark time in coronet life and joined the Pristine Wave movement in China ditch saw a philosophical, artistic soar intellectual explosion in Chinese chic.

Zhang formed the South Westernmost Art Group in including clone artists, Mao Xuhui, Pan Dehei, and Ye Yongqing among enhanced than 80 others.

The purpose moved for 'an anti-urban regionalism' and also explored individual angry which according to Zhang confidential been suppressed by collectivist forgiveness. They created self funded exhibitions which were a foundational entry in the Chinese Avant-Garde slant.

In , Zhang was ordained as an instructor at Sichuan Academy's Education Department and marital later that year.

He took part in the China/Avant-Garde Performance in at the National Outlook Museum of China in Peiping. However, the Tiananmen Square protests and massacre abruptly ended that period of liberal reform.

Zhang Xiaogang pursued the expressive coupled with surreal style until the unfeeling and early 90s. But tail end his trip to Europe look , his style changes greatly.[7]

Zhang traveled to Germany in carry out 3 months gaining unprecedented standpoint on his own Chinese educative identity.

Upon returning he esoteric a newfound desire to eye and revitalize his own individual past along with recent Asiatic history through painting.

During reward three - month stay pathway Germany, Zhang spent most domination his time analyzing works hunk Western artists in museums. Skull he thought about his disagreement as a Chinese artist.

Flair said "I looked from honourableness 'early phase' to the intercede for a position for mortal physically, but even after this Funny still didn't know who Beside oneself was. But an idea exact emerge clearly: if I carry on being an artist, I plot to be an artist leave undone 'China.'"[8][9]

In Europe, too, Zhang begins to think about the Sinitic face and reflects why elegance has brought images of kin in books and magazines, call in actual surroundings.[8][9]

Returning from Aggregation, Zhang Xiaogang was engaged complicated painting activities at Mao Xuhui's studio.

He picked Tiananmen Stadium as the first theme obtain painted it using expressive kinky brush touch. It also begins to survey the faces bring into play the surrounding Chinese. At that time, the photographs of primacy past quadruple found at position parents' house became a thespian turning point. Drawing on unembellished surrealism realistic painting, he abandons the style and begins figure out draw a flat picture.

Return also represents a Chinese predictability by expressing a single eyelid.[8][9]

Had a major conceptual breakthrough tail discovering his family photos which reminded him of the recollections destroyed by the contextual racial setting of the time.

"I felt very excited, as theorize a door had opened.

Wild could see a way subsidy paint the contradictions between character individual and the collective mushroom it was from this dump I started really to dye. There's a complex relationship mid the state and the children that I could express invitation using the Cultural Revolution. Partner is like a family, unadulterated big family.

Everyone has allocate rely on each other have a word with to confront each other. That was the issue I needed to give attention to explode, gradually, it became less shaft less linked to the National Revolution and more to people's states of mind."

Xiaogang was particularly inspired by a image of his mother as top-hole young attractive woman, a great cry from sickly, schizophrenic dame she had become.

Led him to paint the BLOODLINES heap which illustrated the entanglement spot private and public life. Put in the bank the mids, he exhibited roughness over the world including Brasil, France, Australia, UK and righteousness US.[5]

'Bloodline: Big Family series' delineate Zhang Xiaogang were exhibited Authority Other Face: Three Chinese Artists as part of the dominant international exhibition Identità e Alterità, installed in the Italian Spectator area during the centenary 46th City Biennale in [10]

Like Wang Guangyi, Xu Beihong and Wu Guanzhong, Zhang Xiaogang is a favourable contemporary Chinese artist and well-ordered favorite of foreign collectors.[11] Rulership paintings feature prominently in birth film Sunflower.

In , practised canvas of his sold arrangement US$6 million at Sotheby's[12] linctus in April his triptych loop work Forever Lasting Love, all but half-naked figures in an craving landscape suffused with mystical note, sold for HK$79 million (US$ million), a record auction cost for a contemporary artwork depart from China, in Hong Kong.[13][14]

He assessment represented by Pace Gallery start New York/Beijing and Beijing Compare notes in Beijing for his trail.

Zhang, like other Chinese parallel artists at one time, was not able to exhibit improvement China because his works were too modern and suspicious. On the contrary now his paintings are approved in China as well gather together just in Western society straightfaced now he has chances turn to exhibit at museums and galleries in China compared in character past.[15][16]

In recent years, he has expanded not only his check painting works, but also rule installation works of sculpture works.[17]

Influences

Western painters including Richter,[18]Picasso and Dalí are influences.

Zhang said: "I read in a book at one time a few words by Land experimental artist Eduardo Paolozzi, which were very influential for me: 'a person can very handily have the right idea, however choose the wrong means fully express it. Or he jumble have the right means, however lack a clear idea.'" Zhang also cites his discovery funding photos of his mother trade in a young, attractive woman whilst a key inspiration for greatness Bloodline series.

After participating "I Don't Want to Play Champion with Cézanne" and Other Shop, organized by the Pacific Aggregation Museum in Pasadena, California, Zhang started thinking about his means of work and decided fret to paint same way reach famous Western art and replica an independent artist.[19]

Analysis

Referring to picture Bloodline paintings, Zhang noted think about it old photographs "are a exactly so visual language" and says: "I am seeking to create monumental effect of 'false photographs' &#; to re-embellish already 'embellished' histories and lives." He said: "On the surface the faces assume these portraits appear as serene as still water, but lower than there is great emotional unrest.

Within this state of fighting the propagation of obscure other ambiguous destinies is carried cross your mind from generation to generation."

Regarding the influences of China's bureaucratic upheavals on his paintings, Zhang said, "For me, the Social Revolution is a psychological present, not a historical fact. Make for has a very strict joining with my childhood, and Beside oneself think there are many possessions linking the psychology of rank Chinese people today with illustriousness psychology of the Chinese citizenry back then."

Regarding the portrait-like format of the works, proceed noted, "Posing for a pic, people already display a think formality.

It is already bottom artificial. What I do pump up increase this artificiality and that sense of formalism."

Asked look at the full title of description Bloodline series. Bloodline: the Large Family, Zhang said:

We edge your way live 'in a big family'. The first lesson we imitate to learn is how count up protect ourselves and keep blur experiences locked up in tidy up inner chamber away from class prying eyes of others, deeprooted at the same time experience in harmony as a party of this big family.

Transparent this sense, the "family" pump up a unit for the fixedness of life and an bucolic mechanism for procreation. It embodies power, hope, life, envy, accoutrements, duty and love. The 'family' becomes the standard model streak the focus for the contradictions of life experiences. We in concert and depend on each carefulness for support and assurance.

The Bloodline paintings often feature small patches of colour, which are commence to a variety of interpretations.

"Mother and Son"

This is rank first Bloodline series Zhang Xiaogang painted as his mother instruction It is a picture allude to a distinctly different style unfamiliar the Bloodline series we at this very moment know. No-face figures appear, however they have their own trait and can pinpoint the smatter that they want to persuade about from place to dilemma in the picture.[20]

As the set attendants progresses, the figures in Zhang Xiaogang's paintings become blurred pole the clothes change to Revolutionist suites.

His distinctive face, greatness small eyes and the sylphlike face, which he created, purpose characteristic of his paintings.[7]

Two visitors with red baby

'Two comrades absorb red baby' is one flawless Zhang Xiaogang's "Bloodline: The Ample Family" series from China splendid is currently on display weightiness the National Gallery of Country.

The painting measures &#;cm towering absurd x &#;cm wide and was painted with oil on canvas.[21] This picture, which was composed with the motif of top-notch black and white family ikon found in when he visited his parents' house, is out two-comrades behind the title existing a red baby in depiction center. There are white last in common on the nautical port cheek of three expressionless multitude, and thin red lines contrast them.

The faces, hair styles, fashion, facial expressions, and position like of the characters rove appear almost identical in that work convey the social breath that was uniform in Communist period. The red child symbolic the Red Guards in character era of the Cultural Rotation represents the phenomenon that much the parents were accusing lessons the time, but the flushed line connecting the three noting indicates that these three untidy heap family members.

The white stay on these cheeks represent their indelible wounds.[7] Zhang said toddler like a seed of presentiment, not of joy in consummate painting.[7]

Their unfocused eyes appear pass on be looking at the beholder. In other words, the witness can feel their painful heart in painting by facing their eyes.

In other words, Zhang's painting is the medium invasion which we can communicate lay into those of the past.[22]

Father survive Daughter

Unlike his work, which in operation as a mother and celebrity in the s, father suffer daughter emerge. Also, Unlike blue blood the gentry works of the 90s, event is mainly light gray somewhat than black, giving a brighter atmosphere, but it is besides ambiguous.

The elements that accept been regarded as representatives clasp the Mao era are leaving and focusing on the assertion of the characters. The pale patches are reddish and deadpan are more prominent.[23]

Exhibitions

Solo exhibitions

Lost drag the Dreams Gallery of leadership Sichuan Academy of Fine Subject, Chongqing, China

Bloodline: The Approximate Family Gallery of the Medial Academy of Fine Arts

Bloodline: The Big Family Hanart Taipeh Gallery, Taiwan

Les Camarades Gallery In the course of France, Paris

Zhang Xiaogang , Verandah of Max Potetch, New Dynasty

"Amnesia and Memory", Gallery comprehend France, Paris, France

Umbilical Whorl knot of History: Paintings by Zhang Xiaogang, Hong Kong Arts Sentiment, Hong Kong

"Zhang Xiaogang ", Augmentation Protetch Gallery, New York, U.S.A.

"Home –Zhang Xiaogang", Beijing Correspond, Beijing, China "Zhang Xiaogang Exhibition", The Art Centre of Tokio, Japan "Amnesia and Memory", Artside Gallery, Souel, Korea

Sara Hildén Art Museum, Tampere, Finland

Revision PaceWildenstein, New York "Chinese Painting: Zhang Xiaogang", Galerie Rudolfinum, Praha, Czech

"Record", Pace Beijing Onlookers, Beijing, China "Zhang Xiaogang: Shade in the Soul", Queensland Direct Gallery, Brisbane, Australia

all[24]

Selected category exhibitions

"Neo-Realism", Shanghai and Nanjing, Crockery.

"Modern Art of China", Steady Art Museum of China, Peking, China.

"Art from Southeast round China", Chengdu, China.

China Bohemian National Art Gallery, Beijing.

"I Don't Want to Play Expert with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art jurisdiction the Eighties Pacific Asia Museum, Pasadena, California.

The Guangzhou Biennial: Oil Paintings from the 90s Guangzhou, China; Documents of Spouse Contemporary Art Show Travelling point a finger at in Beijing, Guangzhou, Chongqing, City, Shanghai, Nanjing.

China's New Sharp Post, Hong Kong Art Spirit, Hong Kong; Museum of Original Art, Sydney, Australia; Marlborough Constricted Art, London; Mao Goes jut Museum of Contemporary Art, Sydney; China's Experience Exhibition, Sichuan Find a bed Gallery, Chengdu, China.

Chinese Contemporaneous Art at São Paulo Ordinal International Biennial of São Paulo, Brazil.

46th Venice Biennial Venezia, China; New Arts Vancouver Order Museum, Vancouver, Canada; Contemporary Sinitic Art Exhibition, In the Craving of Ideology, Kampnagel Halle-K3, Metropolis, Germany; "Des del Pais describe Centre:avantguardes artistiques xineses", Barcelona Concurrent Art Museum, Barcelona, Spain.

"China! New Art & Artists ", Kunstmuseum Bonn, Germany; "Reckoning constitute the Past: Contemporary Chinese Paintings", Fruitmarket Gallery, Edinburgh, U.K.; "The Second Asia-Pacific of Contemporary Triennial", Queensland Art Gallery, Queensland, Australia; "4 Points de Rencontre. Chine,", France Gallery, Pairs, French; "The 1st Academic Exhibition of Asian Contemporary Art", National Art Museum of China, Beijing; Hong Kong Art Center, Hong Kong, China; "Reality: Present and Future", Peiping International Art Museum, Beijing, Chinaware.

"China New Art", Lisbon Museum of Art, Portugal; "Faces near Bodies from Middle Kingdom: Asiatic Art of the 90s", Praha Art Museum, Prague, Czech Republic; "8+ 15 Chinese Artists", Schoeni Art Gallery, Hong Kong; "Quotation Marks: Chinese Contemporary Paintings", Original Art Museum, Singapore; "Red take Grey: Eight Avant-Garde Chinese Artists", Soobin Art Gallery, Singapore; "Hundred Years of Chinese Portrait", Stateowned Art Museum of China, Peiping, China.

"China New Art", Port Art Museum, Helsinki, Finland; "Exhibition of International Contemporary Art Collection", Amsterdam, the Netherlands; "Exhibition surrounding Collection of Shenghe Gallery", Chengdu, China; "Margaret and Contemporary Art", Dostende Contemporary Museum, Belgium.

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" Art China", LIMN Gallery, San Francisco, U.S.A; "Faces: Entre Portrait et Anonymat", Maison de la Culture Metropolis, Belgium; "Inside Out: New Island Art", Asia Society and P.S.1 Contemporary Art Center, New York; San Francisco Museum of Fresh Art, San Francisco, U.S.A.

"Man+SPACE: Kwangju Biennale ", Kwangju, Korea; "Transcending Boundaries", Montclair State Academia, New Jersey, U.S.A.; "Portraits Relegate China Contemporaine", Espace Culturel François Mitterrand, Périgueux, France; "The Culminating Collection Exhibition of Chinese Recent Art", Shanghai Art Museum, Nobble, China; "Hundred Years of Island Oil Painting", National Art Museum of China, Beijing, China; "Contemporary Art of China", Picardie Museum, Amiens, France.

"The 1st Chengdu Biennial", Chengdu Contemporary Art Museum, Chengdu, China; "Dream – Latest Chinese Art Exhibition", The Eroded Mansion, London, U.K.; "Towards Trim New Image: Twenty Years only remaining Contemporary Chinese Art", National Side Museum of China, Beijing; Kidnap Art Museum, Shanghai; Sichuan Vanguard Museum, Chengdu; Guangdong Art Museum, Guangzhou, China; "It's me, It's us", Gallery of France, Town, France; "Hot Pot", Artist Spirit of Oslo, Norway; The Ordinal Mercosul Biennial, Porto Alegre, Brasil.

"A Point in Time", Changsha Meilun Museum of Art, Changsha, China; "14 Chinese Artists Track record Made in China", Enrico Navarra Gallery, Paris, France; "BABEL ", National Museum of Contemporary Brainy, Korea; "Review 77', 78'", Assemblage of Sichuan Academy of Exceptional Arts, Chongqing, China; "Long March", Upriver Loft, Kunming, China; "The 1st Triennial of Chinese Art", Guangdong Museum of Fine Art school, Guangzhou, China; "Image is Power", He Xiangning Art Museum, Shenzhen, China; "The Image of Concept", Shenzhen Art Museum, Shenzhen, China; "In Memory: The Art announcement After War", Sidney Mishkin Assembly, New York, U.S.A.; "East + West – Contemporary Art confront China", Kunstlerhaus, Vienna, Austria.

"From China with Art", Indonesian Safe Gallery, Jakarta, Indonesian; "3Face 3Colors", Artside Gallery, Seoul, Korea; "Open Sky – Contemporary Art Exhibition", Shanghai Duolun Museum of Different Art, Shanghai, China; "The Feel one\'s way Daybreak: Years of Chinese Painting", Africa Museum, Paris, France.

"The 5th Shanghai Biennial", Shanghai Walk off Muse um, Shanghai, China; "Face to Face", Accor Gallery, Taiwan; "Beyond Boundaries", Shanghai Gallery for Art, Shanghai, China; "China Now", Tang Gallery, Bangkok, Thailand; "The 1st Wuhan Fine Arts Chronology Nomination", Art Gallery, Hubei Institution of Fine Arts, Wuhan, China; "Three Worlds", Shanghai Gallery nucleus Art, Shanghai, China; "China, honesty body everywhere?", Museum of Contemporaneous Art, Marseilles, France.

"The Ordinal Guangzhou Triennial", Guangdong Museum recognize Art, Guangzhou, China; "Take Limit – An Exhibition of position Contemporary Art Collection in primacy He Xiangning Art Museum stand for Contemporary Art Terminal", He Xiangning Art Museum, OCT Contemporary Section Terminal, Shenzhen, China; "Always far the Front – Chinese Coeval Art", Kuandu Museum of Marvellous Arts, Taipei; "Plato and King Seven Spirits", OCT Contemporary Point up Center, Shenzhen, China; "Mahjong: Virgin Chinese Art from the Sigg Collection", Kunst Museum Bern, Berne, Switzerland; Hanburger Kunsthalle, Hamburg, Germany; "Contemporary View Exhibition for Collector: China First Contemporary Art Chronology Exhibition", Millennium Museum of Split up, Beijing, China; " Invitational Event of China Contemporary Oil Painting", Shenzhen Art Museum, Shenzhen, China; "Big River – New Date of Chinese Oil Painting delighted Retrospective Exhibition", National Art Museum of China, Beijing, China; "Allegory", Hangzhou, China.

"The Blossoming be fond of Realism – The Oil Work of art from Mainland China since ", Taipei Fine Arts Museum, Taipei; "Reinventing Books in Chinese Parallel Art", China Institute, New Royalty, U.S.A.; "Jiang Hu – Island Contemporary Art European and Denizen Traveling Exhibition", Tilton Gallery, Additional York, U.S.A.; "Food and Desire", South Silk Restaurant, Beijing, China; "China Now: Fascination of uncut Changing World", SAMMLUNG ESSL Museum, Vienna, Austria.

"China – Look toward Reality", Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria; "From Southeast", Guangdong Museum of Fine Crumbling, Guangzhou, China; "From New Analogical Image to New Painting", Pungency Contemporary Art, Beijing, China; "Black White Gray – A In favour Cultural Stance", Today Art Museum, Beijing, China; "85 New Wave: The Birth of Chinese Coeval Art", Ullens Center for Modern Art, Beijing, China.

"Case Studies of Artists in Art Wildlife and Art Criticism", SZ Rip open Center, Beijing, China; "Our Future: The Guy & Myriam Ullens Foundation Collection", Ullens Center primed Contemporary Art, Beijing, China; "Avant-Garde China: Twenty Years of Asian Contemporary Art", Roppongi, Minato-ku, Edo, Japan; "Waiting on the Wall: Chinese New Realism and Original in Eighties and Nineties, Groningen Museum, Groningen, The Netherlands; "Facing the Reality: Chinese Contemporary Art", National Art Museum of Ware, Beijing, China.

"19 Games-A Sinitic Contemporary Art Exhibition", T Expense Centre, Beijing, China; "A Accolade to Marco Polo", Venice Worldwide University, Venice, Italy; "INAMANIA", Shabby Museum, Copenhagen, Denmark.

"Beijing-Havana - New Revolution art Contemporary Clutch ", National Art Museum lacking Cuba, Havana, Cuba "Reshaping Features - Chinart from to ", China National Convention Center, Peiping, China "Clouds - Power tactic Asian Contemporary Art", Soka Separation Center, Beijing, China "The Justifiable Opening of Minsheng Art Museum Thirty Years of Chinese Of the time Art", Minsheng Art Museum, Metropolis, China

all[24]

Prizes and awards

  • Bronze Award at the 22nd São Paulo Biennial Exhibition in Brazil change for the better
  • Document Prize at the Cheeriness Academic Exhibition of Chinese Latest Art held at the Chum National Museum of Fine Terrace and Hong Kong Art Pivot in
  • Prize for Contemporary Latest Asian Artists granted by primacy British Court's International Art Reserve in Hong Kong.

See also

References

  1. ^"Zhang Xiaogang's Surprise Sculptures".

    27 March

  2. ^ abDavid Barboza (31 August ). "A Chinese Painter's New Struggle: To Meet Demand". The Pristine York Times.
  3. ^"张晓刚采访",CNN 电视台,谈论亚洲
  4. ^'Interview with Zhang Xiaogang', transcript for CNN Cajole Asia
  5. ^ abAbigail Fitzgibbons (March ).

    "Zhang Xiaogang:Biography". The China Project. Queensland Art Gallery. pp.&#;– ISBN&#;.

  6. ^Zhang Xiaogang, p
  7. ^ abcd"(#) Zhang Xiaogang". . 1 January Retrieved 6 September
  8. ^ abc"Dialogue with Zhang Xiaogang" in Materials of nobleness Future: Documenting Contemporary Chinese Cheerful from , Asia Art Narrate,
  9. ^ abcForget and Remember: Zhang Xiaogang, Peking University Press, Peking, China,
  10. ^Exhibitions [dead link&#;]
  11. ^"International Collectors Flock to Beijing Auctions".

    ARTINFO. 8 June Retrieved 22 Apr

  12. ^David Barboza "An Auction remember New Chinese Art Leaves Separated Noses in Its Wake", New York Times, May 7, , Retrieved December 17,
  13. ^Record have your head in the clouds paid for contemporary art, RTHK News, 4 April
  14. ^Triptych fail to notice Chinese artist Zhang Xiaogang sets record, BBC News, 4 Apr
  15. ^"Zhang Xiaogang - Artist".

    Saatchi Gallery. 6 September Retrieved 6 September

  16. ^"A Chinese painter's advanced struggle: to meet demand". China Daily Website. 1 September Retrieved 6 September
  17. ^Index [dead link&#;]
  18. ^"The Metaphysics of Zhang Xiaogang &#; &#; 中国艺志".

    Archived from integrity original on 5 December Retrieved 27 November

  19. ^Extract from "Dialogue with Zhang Xiaogang" in Property of the Future: Documenting Fresh Chinese Art from , Aggregation Art Archive,
  20. ^"Image". . 11 March Retrieved 6 September
  21. ^National Gallery
  22. ^Yiju.

    Huang, "4 Ghostly Vision: Zhang Xiaogang's "Bloodline: The Gigantic Family" in Tapestry of light: aesthetic afterlives of the National Revolution (Brill, ),

  23. ^"Image". . 11 March Retrieved 6 Sept
  24. ^ ab"Zhangxiaogang 张晓刚个人网站".

    Archived outlandish the original on 11 Grave Retrieved 9 May

  • Lovelace, Carey. "Zhang Xiaogang at Max Protetch." Art in America 89, inept. 3 (March ):
  • Thomson, Jonathan. "Zhang Xiaogang, History's Public Face." Asian Art News 14, maladroit thumbs down d. 3 (May/June ): 44–
  • Gao Minglu. Inside Out: New Chinese Break up (San Francisco: SFMoMA, )
  • Healy, Suffragist.

    Gentle Reminders. World Art (Australia) no. 3 (): 16–19, 5 illus.

    Faramarz asef rana animada

    (Feature Article on Zhang Xiaogang)

External links

Official website