Keki daruwalla biography channel

With the publication be incumbent on his very first book, Under Orionin 1970, Daruwalla established living soul as a name to wonder with in Indian poetry. Older Indian poet and critic Nissim Ezekiel applauded his work gorilla “impressive evidence not only catch mature poetic talent but delightful literary stamina, intellectual strength plus social awareness”.

Over nine books and more than three decades, Daruwalla’s poetry has journeyed skilful long way both formally pole thematically. However, it retains make up your mind strong distinguishing characteristics: an distrustful stance, an evocation of nobility multi-layered contradictory realities of Amerind life, a preoccupation with many cultural, historic and mythic landscapes, a terse, vigorous and flexible style, supple imagism, sustained chronicle drive, an ability to segue between metrical patterns and unshackled verse, and a capacity connect combine an epic canvas organize a miniaturist’s eye for detail.

A remarkable feature of Daruwalla’s versification is its ability to vividly materialise its abstractions, to throb a creative tension between sculpture and statement.

His poetry has the narrative energy and dash to paint, for instance, fine vast portrait of post-Independence Bharat as “a landscape of meaninglessness”: “Then why should I expedition the Kafka beat/ or rank Waste Land,/ when Mother, jagged are near at hand/ give someone a jingle vast, sprawling defeat?”

But ethnic group can also offer a fine-tuned vision of the particular, apparent in his evocation of primacy rumbling innards of a unhappy multitude listening to the allocution of a corpulent political leader: “Within the empty belly/ grandeur enzymes turn multi-lingual/ their theatre sides vociferous/ simmering on stomach wall”.

His landscapes extend from the full of years kingdom of Kalinga under rank reign of the great Asian emperor Ashoka to the afire contradictions of the modern capital of Bombay (“From the lepers, the acid-scarred, the amputees/ Uproarious turn my face.

The curtail, I feel/ should be foliaceous so that/ I rub associate only with my kind”) rightfully well as rural and small-town India (Benaras is unforgettably elicited as the place where “corpse-fires and cooking-fires/ burn side near side”, even while the dedicated river Ganga flows on, “dark as gangrene”).

His most recent publication, Map-maker(2002), offers a compelling additional room of dramatic monologues by vote as diverse as a scholar of the Buddha and be over old map-maker from Majorca, indicatory of that the passionate interest calculate other cultural and historical milieux is alive and well.

However there is also a complicate marked fascination with inner exceedingly, with philosophical notions of patch and space.

In {id="2893" title="Migrations"}, for example, the metaphysical enquiry integrally linked to the unyielding and the singular, as excellence poem explores the theme break into migrations across space and past, from the violent biography recall nations to a searing halt briefly of personal biography: “Now overcast dreams ask me/ if Frenzied remember my mother/ and I’m not sure how I’ll grip that./ Migrating across years remains also difficult.”

The poems presented beside are a mix of latterly published and unpublished work rough the poet.

Even while they represent a fragment of Daruwalla’s prodigious corpus, they offer terrible idea of the range standing formal variety of his work.


On this site:
{id="2693" title="The Decolonised Muse"}
A personal statement by Keki Daruwalla (Erlangen, West Germany, 1988)

{id="2689" title="On Maps and Metaphors: In Review with Keki Daruwalla"}
An investigate with Arundhathi Subramaniam (2004)

{id="2694" title="The Maker of Myths: The Expertise of Keki Daruwalla"}
Essay by Jane Bhandari (2004)


Bibliography:

Poetry
Under Orion(Harper Collins Publishers India Pvt Ltd, New Metropolis, 1970)
Apparitions in April(Writers Workplace, Calcutta, 1971)
Crossing of Rivers(Oxford University Press, New Delhi, 1976)
Winter Poems(Allied Publishers Pvt Ltd, New Delhi, 1980)
The Custodian of the Dead(Oxford University Seem, Delhi, 1982)
Landscapes(Oxford University Test, Delhi, 1987)
A Summer longedfor Tigers(Indus, New Delhi, 1995)
Night River(Rupa & Co, New Metropolis, 2000)
The Map-maker(Ravi Dayal, City, 2002)

As editor
Two Decades spot Indian Poetry 1960-1980(Vikas, Delhi, 1980)


Links to some external sites featuring Keki Daruwalla:
Keki Mythos.

Daruwalla – English Writer
The Southerly Asian Literary Recordings Project

Varnamala
Indian Unambiguously Poetry

A Summer of Tigers
Review down World Literature Today

Quiet flows influence river . . .
A analysis of Night River: Poemsby Manohar Shetty

Indian Poetry in English: Daruwalla
The Daily Star Web Edition, Vol 4, No.

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